Got any Indie Folk, R&B Instrumentals, or Hard Rock?
Published: Tue, 10/21/25
Updated: Wed, 10/22/25
These guys are searching those
</b> at our conference is going to make crystal clear. The better musicians understand that distinction, the better their chances will be of getting their music into TV shows and films.
I hope you can come. Meanwhile, here are three new briefs from industry folks who are actually describing exactly the type of music they need at the moment.
A *Bunch* of ORIGINAL INDIE FOLK SONGS with Male or Female Vocals are needed by an excellent EXCLUSIVE Music Licensing Firm with an impressive history of Film and TV placements for TAXI members.
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CLASSIC-Sounding R&B/SOUL INSTRUMENTALS are needed for an (up to) $1,000 Direct-to-Film Producer placement in a new Feature Film. You'll get 100% of the sync fee, and keep 100% of your Publishing and Master rights. No Publishing splits.
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HARD ROCK Artists or Bands with Male or Female Vocals are needed by a Record Label founded by veteran music executives with an excellent track record of discovering and breaking new acts.](https://hostedimages-cdn.aweber-static.com/NDQzMTk3/original/e45828ccab644ccb92ea9558f10bb48b.jpeg)
Dear ,
I had lunch with a 55-year-old musician friend last Saturday. He had no idea that music supervisors and editors choose the music they use based on how well it fits the scene.
You know… does it enhance the emotion or the action? Does it help establish a time period or a sense of place?
He’d never really thought about the fact that music supervisors and music libraries aren’t like label A&R people from back in the day. They’re not out there hunting for hit songs or artists.
That’s exactly what this year’s keynote panel at our conference is going to make crystal clear. The better musicians understand that distinction, the better their chances will be of getting their music into TV shows and films.
I hope you can come. Meanwhile, here are three new briefs from industry folks who are actually describing exactly the type of music they need at the moment.
I had lunch with a 55-year-old musician friend last Saturday. He had no idea that music supervisors and editors choose the music they use based on how well it fits the scene.
You know… does it enhance the emotion or the action? Does it help establish a time period or a sense of place?
He’d never really thought about the fact that music supervisors and music libraries aren’t like label A&R people from back in the day. They’re not out there hunting for hit songs or artists.
That’s exactly what this year’s keynote panel at our conference is going to make crystal clear. The better musicians understand that distinction, the better their chances will be of getting their music into TV shows and films.
I hope you can come. Meanwhile, here are three new briefs from industry folks who are actually describing exactly the type of music they need at the moment.
A Bunch of ORIGINAL INDIE FOLK SONGS needed...
Click for Details and DeadlineCLASSIC-Sounding R&B/SOUL INSTRUMENTALS needed...
Click for Details and DeadlineHARD ROCK Artists or Bands needed...
Click for Details and DeadlineReminders: Opportunities with Deadlines Approaching Soon!
SWING REVIVAL INSTRUMENTALS needed...
Click for Details and DeadlineSINGER-SONGWRITER/FOLK SONGS with Lyrics about "GRATITUDE" and "APPRECIATION" needed...
Click for Details and DeadlineCONTEMPORARY COUNTRY SONGS needed...
Click for Details and DeadlineCLASSIC-Sounding R&B/SOUL SONGS needed for (up to) $1,000 Direct-to-Film Producer placement...
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Suite 200
Calabasas CA 91302
USA
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